Claudia Mazzitelli
The artistic path begins in the Eighties with ‘Natura Cotta’, a research that investigates the insane exploitation of natural resources and the probable risks, often underestimated.
In the nineties, further research come to life, titled DIVE OUT, Virtual Reality, Cloning, in which, not without irony, the damage caused to the ecosystem in the name of poorly managed and insane progress is revealed, as well as the deleterious effects produced on the life of humanity.
The study of social problems and human behaviours produces the genesis of a further artist researching the Histoire Femme, linked to the difficulties of women of our time. Investigating the female universe, this artistic path offers a splendid gallery of “portraits” of excellent women, with a plurality of ways of being in the world in conscious dignity of role.
They do notrenounce the right to beauty and precise identification, but ask to be able to assert themselves in all the roles in which they can legitimize authoritative skills. Vote to make sense of life renewed through their love, to work, to fight professionally, to remind the world that you were sung by epic poets as lovers and warriors with swords and shields, to be heirs of biblical heroines, to having witnessed and instilled the love of freedom, they are women who have always been ready to go further.
